![]() Compressor can also transcode Canon Cinema RAW Light video files to other professional formats like ProRes and H.264 for the first time, and Watch Folders make it simple to automatically encode content placed in a selected folder in the file system. On the new MacBook Pro, Compressor can transcode HEVC video up to 2x as fast and transcode ProRes video up to 10x faster. And a new Neon filter adds an eye-catching glow to images, shapes, text, and more. Graphic artists can now combine object tracking with masks, shapes, 3D objects, behaviors, and filters for stunning visual effects. With Motion on the new MacBook Pro, a complex project renders up to 2x as fast and can play two streams of 8K video at 5x the frame rate. By simply clicking on a face or object in the viewer, editors can add or delete focus points, all without having to reshoot.įinal Cut Pro companion apps Motion and Compressor also received updates today. Videos recorded in Cinematic mode on the new iPhone 13 lineup can be edited easily with Final Cut Pro and Motion, giving editors the ability to adjust the depth effect of any shot and use keyframes to change it over time. Object tracking analysis is up to 5x faster on the new 16-inch MacBook Pro, and takes advantage of the machine learning capabilities of the Neural Engine in Apple silicon to accelerate the detection of faces and objects in video. Today’s update also introduces a new Object Tracker that lets video editors quickly and easily create eye-catching animated graphics that follow the movement of faces or objects in a video. Video editors can now play seven streams of 8K ProRes at full resolution - over 230 million pixels - and export ProRes video over 5x faster than before. The app also takes full advantage of the major performance gains enabled by M1 Pro and M1 Max in the all-new MacBook Pro. “With the combination of powerful new features in Final Cut Pro and Logic Pro, and the unprecedented performance from the MacBook Pro powered by the all-new M1 Pro and M1 Max, pros will be able to push the limits of their creativity like never before.”įinal Cut Pro comes with innovative new features that allow editors to create beautifully tracked motion graphics and edit Cinematic mode videos recorded on iPhone 13 and iPhone 13 Pro. “The world’s most creative people use Final Cut Pro, Logic Pro, and the Mac to make the memorable movies, TV shows, online videos, songs, and soundtracks that we all enjoy,” said Bob Borchers, Apple’s vice president of Worldwide Product Marketing. Final Cut Pro and Logic Pro are Universal apps that build upon the breakthrough performance and pro capabilities of macOS Monterey, and both are available today on the Mac App Store.įinal Cut Pro and Logic Pro updated with powerful new features and unprecedented performance on the all-new MacBook Pro with M1 Pro and M1 Maxįinal Cut Pro delivers huge advances in 8K video performance Logic Pro features a complete set of tools for creating music in spatial audio And musicians can use up to 3x as many plug-ins for recording on the all-new MacBook Pro with M1 Max. Logic Pro, Apple’s pro music creation software, now comes with a complete set of tools for authoring spatial audio music - allowing anyone to mix and export their songs in Dolby Atmos for Apple Music. Final Cut Pro also introduces a new Object Tracker that uses machine learning to automatically detect faces and objects, and match their movement to create beautiful, cinema-quality titles and effects on any Mac. Professional video editors using Final Cut Pro on the new MacBook Pro can perform tasks never before possible on a Mac, like the ability to play seven streams of 8K ProRes or color grade 8K HDR video with the new Liquid Retina XDR display - a first for any notebook. ![]() CUPERTINO, CALIFORNIA Apple today updated Final Cut Pro and Logic Pro with powerful new features for creative professionals, and optimizations that take full advantage of the power and performance of the M1 Pro and M1 Max chips in the all-new MacBook Pro.
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After running over the apparently sunken "crib" he'd had to limp the boat back to the ramp with a badly damaged lower unit and hadn't investigated the track detail. I was with Anon when he first saw this track zoomed in on his plotter and then even better detailed on my big PC screen. Clicking once on that particular track point got Homeport to put that orange circle mark on the chart spot, clicking twice zoomed into the tragic image below. Methinks it was all that navigational focus at speed that largely accounts for what went wrong at track point #1,867, when Anon was within sight of the launch ramp and running a little bit further up river to burn the gas out his outboard. So Anon drove some 64 nm of complex river (the skinny Sasanoa is famous for its whirlpools!), and his Garmin tracked every bit of it in some detail, as you can see in the bottom middle window. Clicking on Active Log #16 would show the 25 nm he'd run down river before lunching in Bath. At any rate, I've clicked on Anon's last automatically made Active Log (track) and Homeport has zoomed out to show part of a neat trip he took down and back up the Kennebec and Sasanoa Rivers from the launch ramp in Hallowell. Note that I've also opened the 5212 base map from the SD card you can see under Devices (I also have the Vision SD card in the PC, and can switch to that added cartography detail if desired). Thus all the data in the lower left window is his. At upper left on the screen you can see that I've opened the user file that we downloaded off his Garmin and that I imported into my Homeport Library. We'll call him Anon so the Google won't forever pin this very uncharacteristic mistake to his real name. Click to enlarge the screen above and I'll explain after the break. But today's look at some deeper Homeport features gets the benefit of a friend's embarrassing navigation error. I stowed away some memorable tracks, quickly cleaned up some extraneous waypoints (careful with that track-to-route feature), polished some favorite routes, and then overwrote the user data on the 5212 with a much more useful set. ![]() I was able to easily copy the 5212's embedded charts - plus the mess of tracks, routes, and waypoints I put on it last season - and then review/manage all on my home computer. ![]() I can't imagine why anyone with a Garmin plotter, a Windows PC, and a bit of ability to use both wouldn't find Garmin Homeport more than worth the $30 charge. |